Other appearances include the Santa Cecilia Conservatoire (Rome), Ravello – Villa Rufolo, Teatro Alighieri (Ravenna), Teatro Savoia (Campobasso), the Auditorium of the University of Tuscia (Viterbo), the Orsanmichele Museum (Florence), Villa d’Este (Tivoli), Wheeldon Hall (Matlock Music Festival), Senate House in London, Petersfield Festival Hall, Steinway Hall (London), Garrett Hall (Washington DC), and concerts in various halls in Austria, Australia, France, Greece, South Korea, England, Italy, Romania, Spain and the USA. Marios Panteliadis has been described as “an inspired and exceptional soloist, with heroic and spacious playing” (Petersfield Post, March 2015), the creator of “lovely poetry, authentically dark sonorities” (International Piano magazine, January 2016), and recognised as “a virtuoso, a true artist with indisputable musical qualities” (Aldo Ciccolini, 2013).
Altre esibizioni includono Conservatorio S. Cecilia (Rome), Ravello – Villa Rufolo, Teatro Alighieri (Ravenna), Teatro Savoia (Campobasso), Auditorium dell’Università della Tuscia (Viterbo), Museo d’Orsanmichele (Florence), Villa d’Este (Tivoli), Wheeldon Hall (Matlock Music Festival), Senate House di Londra, Petersfield Festival Hall, Steinway Hall (London), Garrett Hall (Washington DC), e altri concerti in diverse sale in Austria, Australia, France, Greece, Korea del sud, Inghilterra, Italy, Romania, Spain e USA. Marios Panteliadis è stato definito come "un ispirato ed eccezionale solista, con un modo di suonare eroico e spazioso..." (Petersfield Post, Marzo 2015), creatore di “poesie adorabili, sonorità autenticamente oscure” (International piano magazine, Gennaio 2016) e riconosciuto come “un virtuoso, un vero artista con qualità musicali indiscutibili” (Aldo Ciccolini, 2013).
Petersfield Orchestra (Brahms’s Concerto No. 1, conducted by Robin Browning) and, as conductor and soloist, with the historic Meininger Hofkapelle in Germany and with MSO (Mecklenburgh Square Orchestra, made up of some of the finest students of leading London institutions) in Mozart’s Concerto No. 23, K. 488. Alongside his solo career he also devotes himself to the chamber repertoire, often working with important artists such as the violinists George Zacharias, Ilija Marinković, Fabrizio Falasca and Francisco Coser , and in various ensembles, among them his “Mythos” trio , founded in Rome, with appearances in Italy, Greece, Malta, South Korea and the USA . He has also often worked with the soprano Simona Mihai, a regular guest at the Royal Opera House in London Italy, Greece, Malta, South Korea e USA. In più ha collaborato spesso con il soprano Simona Mihai, ospite regolare del Royal Opera House di London.
Ha avuto la guida di insegnanti come Parry Derembey (Conservatorio di Atene 2008-2010), Sergio Perticaroli (Accademia di Santa Cecilia 2006-2008), Noel Flores e Jan Jiracek (Università di Vienna 2010-2012) e Tatiana Sarkissova (Royal Academy of Music a London 2013-15) con in quali ha ottenuto il massimo dei voti e la lode nell’intero percorso dei suoi studi. Nella Scuola di Musica di Fiesole ha seguito i corsi speciali sotto la guida della pianista Eliso Virsaladze (2013) ed il Trio di Parma (musica da camera-2009). In più, ha partecipato a molti masterclass con importanti pianisti come Aldo Ciccolini, William Grant Naboré, Fance Clidat, Lilya Zilberstein, Pascal Devoyon e Valery Sagaidachny.
graduating in October 2011 (three-year degree). During his time in London he also studied conducting with Sian Edwards and Paul Brough at the Royal Academy of Music, and subsequently on various conducting courses with Romolo Gessi, Julius Kalmar, Sigmund Thorp and Michalis Economou. He has conducted orchestras including the City of Athens Orchestra, Orchestra Filarmonica Veneta and the Meininger Hofkapelle . From November 2012 until 2017 he taught principal piano at the Santa Cecilia Conservatoire in Rome on the foundation courses (formerly pre-academic), and since February 2019 he has taught principal piano at the L. Perosi Conservatoire in Campobasso. In 2014/15 he took theLRAM course (Licentiate of the Royal Academy of Music) in London, studying teaching methods for piano students of various ages and levels. In 2014/15 he was awarded, with Distinction, the LRAM diploma (Licentiate of the Royal Academy of Music) in London , where he studied teaching methods for piano students of various ages and levels. a London dove ha approfondito sulla didattica e sui vari metodi di insegnamento di pianoforte per allievi di varie età e livelli. Nel 2014/15 ha ottenuto con la votazione “Distinction” il diploma LRAM (Licentiate of the Royal Academy of Music) a London dove ha approfondito sulla didattica e sui vari metodi di insegnamento di pianoforte per allievi di varie età e livelli.
Premi e premi speciali
Greece
“Andros” 2005 – first prize.“G. Thymis” 2017, Thessaloniki – special prize.
Greece
Italy
“Roma 2012” – first prize
“Rospigliosi” 2012 – first prize.
“Magliano Sabina” 2010 – first prize.
“Premio Cafaro” 2010 – first prize.
“Avezzano” 2008 – first prize.
“Vicopisano” 2008 – first prize.
“Premio Cafaro” 2010 - 1° premio.
France
“Épinal” 2013 – special prize, contemporary music.
“Épinal” 2009 – special prize, French music.
France
England
2014 – Else Cross Modern Piano Prize.
AYCA 2014 – Making Music Award for Young Concert Artists.
Inghilterra
2014 - Else Cross modern piano prize.
AYCA 2014 - Premio Making Music Awards for young concert artists.
